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African Americans who lived in Louisiana(passive) created bya music genre
African Americans in the deep south of USA(passive) originated bya music genre
othersleadingthe music genre
African - Americans that is believed to have begun in New York in the 1970s(passive) created bya music genre
African Americans in New Orleans between the 19th and 20th century(passive) originated bygenre of music
Black and People of Color Queers(passive) created bymusic genres
Southwest Louisiana ’s Black Creoles ( a group of people of mixed African , Afro - Caribbean , Native American and European descent(passive) created bya music genre
new ideas(passive) are constantly being influenced byMusic genres
black , POC and queer people that have been heavily gentrified in media over several years(passive) created bymusic genres
Guitar Hero and Rock Band(passive) led byThe music genre
African Americans in the deep South of the United States around the end of the 19th century and Samba(passive) originated bya music genre
Africans its incredible(passive) invented bymusic genres
white people(passive) invented bymusic genres
Portuguese people(passive) created bya music genre
Afro - Brazilians with Pagode being a sub - genre of Samba(passive) created bymusic genres
different cultural beats and includes selections themed to preference such as holiday or ’ 90s dance(passive) influenced bymusic genres
the pixie - like Lindsey Stirlinghas createda music - genre
that Chuck Berry helpedcreatea music genre
Derrick , Juan , Mike , and Kevincould createa music genre
people of color and queer people(passive) created bymusic genres
rock and roll , country and Caribbean beats(passive) is influenced bya music genre
glam rock , punk , and heavy metal(passive) heavily influenced bya music genre
having difference races mix in certain ways ( like the blues(passive) are ... influenced bymusic genres
an array of legendary progressive rock stars ... this innovative , thoughtprovokingmusic genre
the sound of Peruvian Protopunk band Los Saicos in the 1960s(passive) triggered bya music genre
really poor people who live in a much different segment of society than we do(passive) created bya music genre
Rock and Roll , Country and Caribbean themes with an island style representing the " LAID BACK LIFE(passive) influenced bya music genre
Duncan Ende ’s two - race Mazda Formula Atlantic weekend in Cleveland ... the cityinventedthe music genre
Southwest Louisiana 's Black Creole community ( a group of people of mixed African , Afro - Caribbean , Native(passive) created bya music genre
Southwest Louisiana ’s Black Creole community ( a group of people of mixed African , Afro - Caribbean , Native American and European descent(passive) created bya music genre
Southwest Louisiana 's Indigenous Black Creoles ( a group of people of mixed Indigenous / African , Afro Caribbeans & European Descent(passive) created bya music genre
Southwest Louisiana 's Black Creole neighborhood ( a bunch of people of mixed African , Afro - Caribbean , Native American and European descent(passive) created bya music genre
none of those come from the Indians(passive) are influencedmusic genres
25 years ago(passive) was createdmusic genres
the waycan composemusic genres
often(passive) are ... influencedMusic genres
equal(passive) are createdmusic genres
When it comes to trendsettingmusic genres
critics and pressmen only to describe the music(passive) were created byMusic genres
African - American culture in the U.S. Further Content(passive) influenced byMusic genres
in the African - American communities of New Orleans , United States ... in the late 19th and early 20th centuries ... and developed from roots in blues and ragtimeoriginatedin the African - American communities of New Orleans , United States ... in the late 19th and early 20th centuries ... and developed from roots in blues and ragtime
amongst the African - American communities of New Orleans , United States in the late 19th and early 20th centuriesoriginatedamongst the African - American communities of New Orleans , United States in the late 19th and early 20th centuries
in African American communities of New Orleans , United States ... in the late 19th and early 20th centuries ... and developed spain chick corea lead sheet pdf fromoriginatedin African American communities of New Orleans , United States ... in the late 19th and early 20th centuries ... and developed spain chick corea lead sheet pdf from
in Jamaica in the late 1960soriginatedin Jamaica in the late 1960s
in Jamaica in the late 1950s ... as a precursor to Rocksteady and Reggae musicoriginatedin Jamaica in the late 1950s ... as a precursor to Rocksteady and Reggae music
in the African - American communities of New Orleans , United States,[1originatedin the African - American communities of New Orleans , United States,[1
in Jamaica in the late 1950s and was a precursor to rocksteady and reggae.</p>originatedin Jamaica in the late 1950s and was a precursor to rocksteady and reggae.</p>
primarily within the African - American communities in the Deep South of the United States at the end of the 19th century from spirituals , work songs , field hollers , shouts and chants and rhymed simple narrative balladscreatedprimarily within the African - American communities in the Deep South of the United States at the end of the 19th century from spirituals , work songs , field hollers , shouts and chants and rhymed simple narrative ballads
from the African American communities of New Orleans in the United States in the late 19th centuryoriginatedfrom the African American communities of New Orleans in the United States in the late 19th century
in jamaica in the late 50s andoriginatedin jamaica in the late 50s and
in Jamaica in the late 1950originatedin Jamaica in the late 1950
in Jamaica Jamaica in the late 1950s and was the precursor to rocksteady and reggae.[1 ] Ska Ska combined elements of Caribbean Caribbean mento and calypso with American jazz and rhythm and bluesoriginatedin Jamaica Jamaica in the late 1950s and was the precursor to rocksteady and reggae.[1 ] Ska Ska combined elements of Caribbean Caribbean mento and calypso with American jazz and rhythm and blues
in jamaica in the late 1960 's loveoriginatedin jamaica in the late 1960 's love
in Jamaica in the 1960soriginatedin Jamaica in the 1960s
in Ghana in the 20th century and spread to Sieoriginatedin Ghana in the 20th century and spread to Sie
in the mid 1980s through the Mauritian Rasta singer , Joseph Reginald Topize who had previously been sometimes known as Kaya , from a song title by Bob Marleyinventedin the mid 1980s through the Mauritian Rasta singer , Joseph Reginald Topize who had previously been sometimes known as Kaya , from a song title by Bob Marley
in Jamaica in the late 1950s and is often associated with checkersoriginatedin Jamaica in the late 1950s and is often associated with checkers
in south korea kpoporiginatingin south korea kpop
in African - American communities in the mid-1960s when African - American musicians created a rhythmic , danceable new form of music through a mixture of soul music , jazz , and rhythm and blues ( R&Boriginatedin African - American communities in the mid-1960s when African - American musicians created a rhythmic , danceable new form of music through a mixture of soul music , jazz , and rhythm and blues ( R&B
in the African- American communities of New Orleans United States , developed from roots in blues ... in the late 19thoriginatedin the African- American communities of New Orleans United States , developed from roots in blues ... in the late 19th
in Jamaica in the 1950soriginatedin Jamaica in the 1950s
in african american communities in the mid 1960s when african american musicians created a rhythmic danceable new form of music through a mixture of soul music 5originatedin african american communities in the mid 1960s when african american musicians created a rhythmic danceable new form of music through a mixture of soul music 5
amongst African Americans in New Orleans , United States in the late 19th and early 20th centuries ... and developed from roots in Blues and Ragtimeoriginatedamongst African Americans in New Orleans , United States in the late 19th and early 20th centuries ... and developed from roots in Blues and Ragtime
in the African- American communities of New Orleans smalloriginatedin the African- American communities of New Orleans small
in the African- American communities of New Orleans joeoriginatedin the African- American communities of New Orleans joe
in African American communities in the mid-1960s stud h /originatedin African American communities in the mid-1960s stud h /
in Ghana in the 20th century and spread to Sierra Leone and Nigeriaoriginatedin Ghana in the 20th century and spread to Sierra Leone and Nigeria
in jamaica in the early 1960soriginatedin jamaica in the early 1960s
in African American communities in the mid-1960s when African American musicians created a rhythmic , danceable new form of music through a mixture of soul music , jazz , and rhythm and blues ( Ramp;Boriginatedin African American communities in the mid-1960s when African American musicians created a rhythmic , danceable new form of music through a mixture of soul music , jazz , and rhythm and blues ( Ramp;B
at the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions joriginatedat the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions j
in African American communities in the mid-1960s when African American musicians created a rhythmic , danceable new form of music through a mixture of soul music , jazz , and rhythm and blues armoire metal sur rouletteoriginatedin African American communities in the mid-1960s when African American musicians created a rhythmic , danceable new form of music through a mixture of soul music , jazz , and rhythm and blues armoire metal sur roulette
in Jamaica in the late Fifties and was a precursor to rocksteady and reggaeoriginatedin Jamaica in the late Fifties and was a precursor to rocksteady and reggae
from African American communities of New Orleans during the late 19th and early 20th centuries in the form of independent traditional and popular musical stylesoriginatedfrom African American communities of New Orleans during the late 19th and early 20th centuries in the form of independent traditional and popular musical styles
in South Korea with flashy choreography and funoriginatedin South Korea with flashy choreography and fun
in the African - American communities of New Orleans , United States ... in DOWNLOAD PIANO STANDARDS CLASSIC JAZZ MASTERSJAZZ STANDARDS FOR SOLO GUITAR piano standards classic jazzoriginatedin the African - American communities of New Orleans , United States ... in DOWNLOAD PIANO STANDARDS CLASSIC JAZZ MASTERSJAZZ STANDARDS FOR SOLO GUITAR piano standards classic jazz
in Jamaica around 1966originatedin Jamaica around 1966
in Jamaica Slut ( disambiguationoriginatedin Jamaica Slut ( disambiguation
in Jamaica around For other Darlingoriginatedin Jamaica around For other Darling
IN JAMAICA Rege - RegeORIGINATEDIN JAMAICA Rege - Rege
at the beginning of the 20th century in African American communities in the Southern United States Typical instrumentsoriginatedat the beginning of the 20th century in African American communities in the Southern United States Typical instruments