Avi ’s short , accessible chapters and candidcreatefirst - person narration
the realitycreatedthrough first person narration
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the most popular waysto createa first - person narration
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Young ... ableto createthis first person narration
a forty something man , a retired mid - level government bureaucrat , who ruminates in his poor apartment(passive) is contributed byFirst person narration
her own mental and emotional instabilities(passive) was ... influenced bySybella 's first person narration
your heartseton first - person narration
in Garden Heights(passive) is setThis first - person narration
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Andrew Hussey , The Guardian ' C � line � s expletive - ladeninfluencedfirst - person narration
the effects of intimacy , isolation and dramacreatesthe effects of intimacy , isolation and drama
the familiar intimacy(passive) created bythe familiar intimacy
a great deal of that intimacycreatesa great deal of that intimacy
a more intimate tonecreatesa more intimate tone
questioning of the narrators reliability ... but this bias view can help create more intimacy between the protagonist and the readercan causequestioning of the narrators reliability ... but this bias view can help create more intimacy between the protagonist and the reader
a lot of tensioncreatesa lot of tension
a wonderful tonecreatesa wonderful tone
in a limited point of view which in turn heightens the suspense of the proceedingsresultingin a limited point of view which in turn heightens the suspense of the proceedings
tension and conveys the cool headedness of Herne ’s character , which often works in favor of the storycreatestension and conveys the cool headedness of Herne ’s character , which often works in favor of the story
a sense of intimacy ... and in this case the " Dear Ed " ( 1.1 ) device makes Min 's thoughts and feelings seem all the more vibrant and realcreatea sense of intimacy ... and in this case the " Dear Ed " ( 1.1 ) device makes Min 's thoughts and feelings seem all the more vibrant and real
the tone to be friendly and lightsetsthe tone to be friendly and light
the effect of the narrator having a conversation with the readerscreatesthe effect of the narrator having a conversation with the readers
problems if done improperlycan causeproblems if done improperly
in Kentucky by a new author to mesetin Kentucky by a new author to me
to the unexpected horror of the open - ended conclusion , in which the mystery expands rather than contractsleadsto the unexpected horror of the open - ended conclusion , in which the mystery expands rather than contracts
a reader 's perspective of eventslargely influencesa reader 's perspective of events
suspicion of an unreliable narratortriggerssuspicion of an unreliable narrator
the sense of a story told in a spoken voice , and is especially effective when the narrator is trying to justify his or her behaviorcreatesthe sense of a story told in a spoken voice , and is especially effective when the narrator is trying to justify his or her behavior
an impression that the author herself tells her story without hiding any details and being extremely open about her experiencescreatesan impression that the author herself tells her story without hiding any details and being extremely open about her experiences
the plot of the storyto createthe plot of the story
to the pace and mobility of the storyalso contributesto the pace and mobility of the story
a relationship between the narrator and the audience because it involves the narrator 's feelings and thoughtscreatesa relationship between the narrator and the audience because it involves the narrator 's feelings and thoughts
a biased storycreatesa biased story
a direct bonding with the readercreatesa direct bonding with the reader
an enticing first chaptercreatesan enticing first chapter
alternate accounts of eventswill undoubtedly createalternate accounts of events
more of a sense of urgency for the readercreatesmore of a sense of urgency for the reader
a picture of a better life for the narrator and Doodleto painta picture of a better life for the narrator and Doodle
a sense of “ identification ” with the narrator ... while William Kurz ( Reading Luke - Acts , p. 113 ) claims a sense of “ immediacy ” is implied by this type of narrationcreatesa sense of “ identification ” with the narrator ... while William Kurz ( Reading Luke - Acts , p. 113 ) claims a sense of “ immediacy ” is implied by this type of narration
The entire novel(passive) is setThe entire novel
a strong link with the readercreatesa strong link with the reader
from the perspective of the bearcreatesfrom the perspective of the bear
a greater sense of immediacycreatesa greater sense of immediacy
our response to what we read as the narrator does n't check out the minds of its characters which leave the audience only seeing the problem through one 's eyeinfluencesour response to what we read as the narrator does n't check out the minds of its characters which leave the audience only seeing the problem through one 's eye
a trap for a writercreatesa trap for a writer
our response to what we read as the narrator does n't check out the minds of the minds 's characters which leave the audience only seeing the problem through one 's eyeinfluencesour response to what we read as the narrator does n't check out the minds of the minds 's characters which leave the audience only seeing the problem through one 's eye
the viewerleadthe viewer
for readers a sense of immediacy and a vested interest in the novel ’s clever narrative threadscreatesfor readers a sense of immediacy and a vested interest in the novel ’s clever narrative threads
down as if it has written by someone who can not actually write it downwas setdown as if it has written by someone who can not actually write it down